A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.
Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.
On the latest So Grosse Such Pointe Much Blank, Blake and Joe talk about Grosse Pointe Blank cinematographer Jamey Anderson.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it.
Alex Arabian spoke with Mark Duplass and Natalie Morales about their film Language Lessons, its inception, Room 104 and more!
The debut feature from Swiss filmmaker Andreas Fontana, Azor is a sophisticated and sinister thriller suffused with a lasting feeling of unease.
This week, Jake Tropila takes a look back at GoldenEye, the first James Bond film starring Pierce Brosnan as 007.
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
A semi-autobiographical film that chronicles the life of a working-class family and their young son’s childhood during the tumult of the late 1960s.
While not without its controversy, Pier Paolo Pasolini’s Salo, or the 120 Days of Sodom remains a ferocious work of art.
Alex Lines is here with his report from this year’s CinefestOz Film Festival.
Two couples meet for a painful and raw conversation in the aftermath of a violent tragedy.