Living alone in the Oregon wilderness, a truffle hunter returns to Portland to find the person who stole his beloved pig.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
Fans make the entertainment industry go round. Or do they? Ian LeWinter inquires on the disconnect between studios and movie-goers.
This week, Blake and Joe discuss minute five of Grosse Pointe Blank.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Over six weeks in the summer of 1969, thousands of people attend the Harlem Cultural Festival to celebrate Black history, culture, music and fashion.
Film Inquiry spoke with star Charlie Heaton and writers/directors Andrew Irvine and Mark Smoot for No Future.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
While this remake may not be the first film that comes to mind this Father’s Day, it is an enjoyable horror film that lends itself to multiple rewatches.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
A young woman unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are revealed.
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.