From this years South East European Film Festival Los Angeles, Kristy Strouse reviews Mare and Cream.
While lavish historical dramas laden with European accents are increasingly out of vogue with moviegoers, Queen Marie isn’t without its charms.
Christian Petzold boldly reimagines the ancient myth of Undine in this suspenseful tale of romance and betrayal in modern-day Berlin.
The underfunding of Minari is hardly a controversy, but outside of a few Twitter threads, nobody is discussing it.
A likeable, magnetic bodega owner Usnavi saves every penny from his daily grind as he hopes, imagines and sings about a better life.
With a shift to basketball, the new season of Last Chance U is a journey into the lives of student-athletes hoping to achieve their goals.
In spite of some reservations, and though it certainly demands patience, Hopper/Welles remains a treasure trove worthy of exploration.
This week, host Jesse Nussman and Film Inquiry Editor-in-Chief Kristy Strouse discuss the possible return to movie theaters.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
This week, Blake and Joe dig into Johnny Nash’s third album as we continue our chronological investigation into the artists who make up the soundtrack.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
A 20-year-old Midwesterner arrives in New York City, and catches eyes with a young woman, leading to the two falling in love.
As a film about fathers and their sons, The Return is about the difficulty certain men have expressing love for one another.
“I told y’all not to let the smooth taste fool you.” Those are the words of a winner, baby, as Symone is crowned the winner of season 13.