With lots to admire about the ambitious reimagining, including strong performances and visual flair, the modernization of this tale feels out of place.
Delivering solid and unforgettable performances from Glenn Close and Mila Kunis, Four Good Days is brilliantly done, and quietly effective.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
Jake Tropila takes a look at the latest video releases from the Criterion Collection, Kino Lorber, and Vinegary Syndrome.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
Paranormal investigators Ed and Lorraine Warren try to uncover the truth behind a murderer’s claim of demonic possession.
Luke Parker speaks with filmmaker Nicholas Jarecki about Crisis, his star-studded, three-pronged production based around the opioid epidemic.
In spite of all those shortcomings, The Handmaid’s Tale remains one of the most beautifully shot and directed shows right now.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
Members of a wealthy family gather for a wedding as a nearby protest escalates into violence in Mexico City.
As far as reunions go, RuPaul’s Drag Race’s season 13 Reunited episode missed the memo on contestant drama, but the lip syncs are so stellar.
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
This week, Jesse Nussman and guest Hunter Heilman break down the 2021 Academy Awards after months and months of campaigning and predicting.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?