There are short films that spark franchises, and The Man in the Pinstripe Suit has the makings of such a success.
Lead with strong performances, We Broke Up is a welcome twist on the traditional rom-com challenging audience assumptions.
Agoraphobic Dr. Anna Fox witnesses something she shouldn’t while keeping tabs on the seemingly picture-perfect Russell family, that lives across the way.
Presented virtually, Arlin Golden takes a look at the documentaries that premiered at this year’s San Francisco International Film Festival.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.
Omar is a promising young musician. Separated from his Syrian family, he is stuck on a remote Scottish island awaiting the fate of his asylum request.
Film Inquiry interviews writer and director Lou Simon about finally getting her film Agoraphobia released after a “David vs Goliath” lawsuit.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
Stephanie Archer takes a look at 2021’s Oscar Nominated Animated Short Films: Burrow, Genius Loci, Opera, Yes-People and If Anything Happens I Love You.
Luke Parker spoke with documentary filmmaker Shalini Kantayya about Coded Bias, her frightening exposé on big tech data collection.
Blake and Joe dig into George Armitage’s second feature film, Hit Man (1972), as we continue our exploration into the filmographies of the cast and crew.
The sounds and the visuals are warm, especially if you are a fan, inviting you in not as a viewer but as a fellow lover of “liquid art”.
A teenage murder witness finds himself pursued by twin assassins in Montana with a survival expert tasked with protecting him.
Film Inquiry spoke co-founder of new filmmaker incubator, Constellation Incubator.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.