Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
House of Hummingbird isn’t the easiest of films to watch, but it is definitely one of the most rewarding.
We take a look at the novel by Peter Tonguette: Picturing Peter Bogdanovich, about the famed actor, writer, producer and director.
1979’s Apocalypse Now has achieved an almost cult-like status, and no war film has captured the depravity of war the same way since.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
From the premise, it seemed like it could be a sort of lascivious movie, but Going Down in La-La Land was a surprisingly entertaining film.
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Two couples rent a vacation home for what should be a celebratory weekend get-away.
Frances Maurer examines the odd phenomenon of children’s fantasy stories being reduced to nothing more than a dream.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
A Girl from a Box is a light-hearted short that manages to delve deep into modern relationships with a funny and delicate touch.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
The Film Inquiry team gets together for a casual roundtable during which we discuss the films we loved as kids and whether or not they hold up.
Film Inquiry had the chance to speak with young star Chloe Coleman about her experience working on the Dave Bautista action-comedy, My Spy.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.