At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Stephanie Archer covers eight documentary short films from Tribeca, compelling pieces that allow voices to be heard and provoke conversation.
We go through the career of Alex Garland, and how his films often follow a similar theme of focusing on dystopian worlds.
Carmentis never runs out of ways to use the subversive potential of the sci-fi genre to articulate the loneliness and disorientation that haunt the film’s main character.
Three short films of Tribeca’s N.O.W. segment proved to be truly captivating and eye-opening.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
In Da 5 Bloods, four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen Squad Leader.
Final girls no longer owe us their heartbreak – we take a look at the trend in horror of the final victims becoming final survivors.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
We spoke with director Vaughn Stein about his upcoming film Inheritance, working with Simon Pegg and Lily Collins, his next film, and more.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
In this episode of Six Rings, we talk about how different documentary filmmakers, from Steve James to Ken Burns to Asif Kapadia, would have directed The Last Dance, and the doc’s use of footage and interviews.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
As we reflect on this modern phenomenon and our fear of it in film, we must be careful not to make the same errors as the media has made in covering mass shootings.