Straight from Toronto International Film Festival, Brent Goldman covers Human Capital and The Wild Goose Lake.
The Harvesters is a film with uncomfortable weight, one that slowly but surely crushes you in the way any society presses on those who don’t fit in.
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
Brittany Runs A Marathon star Jillian Bell and writer Paul Downs Colaizzo spoke with us about the casting process, the necessity for Bell to go method, and more.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
Alfred Hitchc*ck’s oft-forgotten The Trouble With Harry delightfully blends small-town Americana with his usual penchant for droll humor and the macabre.
Despite some early objections, The Boys turned out to be a pretty terrific show that exceeded initial expectations and then some.
The Giverny Document demands attention, and even if the attention it does receive ends up in the limited availability of a museum, the format cannot be more appropriate.
Guest of Honour ultimately feels like a missed opportunity for both an intriguing character study on grief, and a compelling drama.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
Brittany Runs a Marathon is positively delightful, a rare comedy that doesn’t gloss over the often painful challenges one faces in changing one’s life for the better.
A group of students are stalked by a stranger during their Christmas break. A remake of the 1974 horror film ‘Black Christmas’.
Stephanie Archer had the opportunity to speak with Amy Schatz, director of In the Shadows of the Tower: Stuyvesant High School On 9/11.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Measure For Measure is a worthy testimonial to the talents of a gifted screenwriter and actor who has left us too soon.