Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
After some false starts, The Boys’ “Get Some” solidifies the mission statement of the show, pushes our established characters in new directions and broadens the scope of the world.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.
Ambitious in scope and scale, all while taking the time to flesh out all of its characters and immerse the viewer in moments of striking intimacy, Euphoria leaves no stone unturned.