We take a look at the recent home video releases of The Leopard Man, and De Palma’s Domino and Obsession in this week’s Video Dispatches.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
Laura Birnbaum spoke with Chicago-based filmmaker, author, professor, and critic Michael Glover Smith about his films Cool Apocalypse, to Mercury in Retrograde, and Rendezvous in Chicago.
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
The Handmaid’s Tale “Liars” finally delivered huge moments that promise one thing: nothing is going to be the same.
Stuck is a fun comedy about a woman trying to do good but getting side-tracked by her habits and her past.
Even if another never gets made, Running Scared deserves to be considered a great one-off in the world of vulgar auteurism.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
Charming guests full of personality and stories capable of filling given run time are exactly the reminder of authentic entertainment this current era of television needs.
Ash Is Purest White is a masterpiece of time and alienation. Aaron Berry examines the ways time affects the characters.
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
A Beautiful Day In The Neighborhood is based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod.
Can film capture national events, the feelings of a nation, or national change? Is there space for it in the age of blockbusters?
With the Cohen Film Collection’s release of Sherlock Jr. and The Navigator, both of these films are brought to life in such clean and remarkably crisp restorations.