Four episodes in, the tone of The Flash in Season 5 is a welcome change from the over-serious one that anchored last season.
As a follow-up to our previous recommendations on underrated 1940s noir for Noirvember, we jump a decade later, to the 1950s.
Zhang Yimou’s Shadow is a different beast to Hero and House of Flying Daggers – but is every bit as essential.
Becky Kukla recaps her time at the 2018 UK Jewish Film Festival, where a record number of female directed films are finding their time in the spotlight.
Beautiful Boy is a simple story of a dying boy and his father’s desperation, and a complex addressing of the difficulties in achieving sobriety.
Monster Fest comes to Melbourne’s Cinema Nova from Thursday November 22nd to November 25th for Monster Fest VII: The Homecoming.
Alfonso Cuarón’s Roma chronicles a year in the life of a middle-class family in Mexico City in the early 1970s.
In this first edition of She Looks Back, we take a moment to look back at the Hitchc*ck inspired Last Embrace from director John Demme – a film that deserves a second look.
Australian comedy Book Week provides an intriguing look at a man in peril and examines the place of literature in a contemporary context.
Led by a sheepish Daisy Ridley performance, Ophelia, a revisionist take on Hamlet, doesn’t have the feminist credentials it thinks it does.
The New Romantic is a classic example of a normal, maladjusted person trying to be everything they’re not by pushing themselves outside of their comfort zone.
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.
In celebration of Noirvember, we present to you a list of 15 underrated classic noirs from the 1940s.
The life story of activist Nadia Murad is told in On Her Shoulders with a lack of sensationalism, focusing more on her cause than the tragedy.
Was The Grinch necessary? Absolutely not. Sure, there’s some filler. Sure, there’s some cringe. But the quantity of them was not enough to impinge.