The original A Star is Born remains a triumph, a powerful romance and an engaging look at the Hollywood of the era.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
For all its superficiality, there’s a warmth to Coogan and Reilly’s central partnership in Stan & Ollie that – all stiltedness noted – deserves the faint smile it leaves you with.
Created by Mark Dennis and Ben Foster, Time Trap is a sci-fi/fantasy that starts with an interesting concept, yet turns into a jumbled mess of its own doing.
A wry, bittersweet but profoundly affecting cinematic experience, Can You Ever Forgive Me? is an astonishing examination of loneliness and detachment.
From start to finish, Ramen Teh is a joy, telling a powerful story about how our shared love of food can transcend cultural barriers.
Our London Film Festival coverage is coming to an end! For our final report, we discuss If Beale Street Could Talk, Stan & Ollie, Shadow and more.
We present to you the winners of the 2018 Drunken Film Fest, which this year had a series in Oakland, California.
Doctor Who’s fourth episode, “Arachnids in the UK”, gives us thrills with mutated spiders and a reminder of the impact humans are having on the planet’s ecosystem.
Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle class couple that feels out of touch, and severely outdated.
After spending his entire career finding the profundity in the mundane, Kore-eda has produced his finest example of this yet in Shoplifters.
There is much to admire about The Sisters Brothers; the powerful performances, the beautiful cinematography, and the statement on violence in the Old West.
Terence Davies’ 1988 debut Distant Voices, Still Lives, newly rereleased by Arrow Academy, deserves to be treasured as one of the great British films.
Peterloo is a righteously angry film still mad at the widespread injustices that denied the less fortunate their basic human rights, almost two centuries later.
Hilarious, formally impeccable and necessarily provocative, Bodied may well be the greatest hip-hop movie ever made.