Holmes & Watson is a humorous take on Sir Arthur Conan Doyle’s classic mysteries starring Will Ferrell and John C. Reilly.
As glossy, glamorous and fast-paced as the auctions it focuses on, The Price of Everything is a fun look inside an elite world that few of us could ever imagine entering.
Rodin portrays its titular character as a fiery genius who is much better interacting with lumps of clay than he is with human beings. For an artist biopic, this is both predictable and exhausting.
At the third San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with Olivia Humphrey, Founder & CEO of Kanopy.
Caniba is a disturbing film about human loneliness that feels rare in documentary’s contemporary canon.
When the USA is safely within the next Democratic term of office, expect The Front Runner to be looked back upon more fondly; it’s mightily enjoyable political entertainment.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
We spoke with Joe Penna, director of the upcoming survival film starring Mads Mikkelsen called Arctic, about shooting in island and his transition from Youtube.
In the second of this series, we look at the screenplays of Citizen Kane and Velvet Goldmine, examining how the two stories share similar DNA.
Two reviews of films from the Lavazza Italian Film Festival, Loro by Paolo Sorrentino and Boys Cry, a gangster film from the D’Innocenzo Brothers.
Ben Ferris’ experimental docu-drama hybrid 57 Lawson has aged as an important archive of a brief period of time, a lyrical tribute to Australia’s often ignored lower class population.
How To Get Away With Murder’s case-of-the-week format will work for some but those welcoming of the more complex journey of yester-series will find the current set-up lacklustre at best.
An incredibly funny film, An Evening with Beverly Luff Linn is a wonderful example of a film that is able to be surreal, comic, and emotional – even if the ending is really very, very bad.
After nine seasons, we say goodbye to one of the Gallaghers in what is easily the best episode of this season of Shameless thus far.
Studio 54 was blessed to be a documentary about something unendingly interesting, unfortunately, by taking on a big topic and failing to ever get specific,it fails to live up to its great potential.