We spoke with director Susan Kucera about her upcoming documentary Living in the Future’s Past, a haunting view of human evolution.
I Think We’re Alone Now is a beautiful slow burn drama with a beautifully eerie atmosphere and striking performances from Dinklage and Fanning, ruined by an unruly mess of a third act.
We spoke with narrator and producer Jeff Bridges about the upcoming documentary Living in the Future’s Past, a haunting view of our changing world.
The Kino Lorber re-release of eight shorts and six features by Brazillian New Wave director Joaquim Pedro de Andrade is a true cinematic gift.
Colette touches on a few of today’s most vital conversations: how society treats women and how society treats those who identify with the LGBTQ+ community.
Smallfoot is desperate to entertain its audience with musical numbers, visual gags, and rapid-fire dialogue without paying that same attention to character or stakes.
We spoke with Rory Culkin about his role in The Song of Sway Lake, what drew him to the subject matter, and his, at times, rocky relationship with director Ari Gold.
Distinctively reminiscent of the show’s first season, with it looking to unfold on a case-of-the-week style basis, How To Get Away With Murder’s season premiere is taking one step back, hopefully, in order to take multiple steps forward.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.
Living in the Future’s Past gives viewers the chance to see what they can do to contribute in the fight against a growing problem within our society.
The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.
In this first report from NYFF, we delve into Jean-Luc Godard’s latest film and an experimental feature from Ming-liang Tsai.
At Eternity’s Gate presents a look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.
Kristy Strouse spoke with Eva Vives, director of All About Nina, using her own emotional history to power this inspiring hybrid of comedy and drama.
A Star is Born announces Bradley Cooper as the next great actor-director, but Lady Gaga is by far the beating heart of his directorial debut.