Film Inquiry’s Alex Lines has left MIFF 2018 – his final report includes some of the best (and two of the worst) films he saw.
Despite its worn-out political commentary, The King is a quietly revolutionary music documentary.
We spoke with Martha Frances Williams and Shani Hadjian, the filmmakers behind the short Up or Out, about queer film and being a filmmaker in NYC.
Vincent Amouroux and Alex Barry’s Living Universe is an encouraging sign that science is progressing in ways which continue to benefit humanity as a whole.
A Second Chance manages to pose a shocking moral quandary without falling into an academic exercise by grounding its characters in real feelings.
Strike, Dear Mistress, and Cure His Heart is too reliant on its use of narration, but still manages to capture the horror of dysfunctional relationships.
We spoke with Luke Del Tredici about the ten-year process of getting Arizona into production, the fragility and elusiveness of the American Dream, Brooklyn Nine-Nine, and much more!
Kristy Strouse attended Fan Expo Boston 2018, attended Q&A’s with Evangeline Lilly, Harry Potter cast members, Jeff Goldblum, and explored the amazing cosplay.
The Package suffers from being a little too conventional for its own good – a generic teen rom-com with a dissected dick slapped on top.
In “Falling”, Sharp Objects becomes its strongest self, maintaining the fervent atmosphere, visual detail and world-class performances.
In Bel Canto, a world-renowned opera singer becomes trapped in a hostage situation when she’s invited to perform in South America.
Darren Aronofsky has made a career out of provoking his audience with visceral films of addiction, obsession and the imbalance it brings to a character’s mental state.
It might focus on a man with cancer, but Tucked remains resolutely upbeat in its belief that true happiness can only be found when we are true to ourselves.
Though Brij Mohan Amar Rahe may be funny and entertaining at points, it mostly comes across as unpleasant to watch and unintentionally muddled.
Seeing a successful bodybuilder physically breaking apart toes the line towards Ronnie Coleman: the King being a cautionary tale, but it’s ultimately saved by the view of his private life.