In many ways, Hooked is a crucial film that sheds light on a pervasive issue. Still, though, it seems as though there was more lurking beneath the film’s surface.
Best F(r)iends: Volume One’s dramatic ambitions are a step in the right direction for the legendary pair, but its low-budget nature severely limits its potential, especially when it comes to its technical credits.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
The trailer for the newest Gillian Flynn adaptation, Sharp Objects, is here and it’s dark, disturbing and mysterious; everything you’d expect from the best-selling author.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
While Emperor of the North (1973) accurately portrays the unique subculture of the hobo in many ways, it also does itself a disservice by removing friendship between hobos, a central aspect of hobohemia.