In Welcome to Marwen, a victim of a brutal attack finds a unique and beautiful therapeutic outlet to help him through his recovery process.
In this part of the Fantasy Science column, we’re diving into the scientific underpinnings of Ant-Man’s power: resizing and going “subatomic”.
By showing Cecil Beaton the respect he deserves, while also not shying away from the less pleasant sides of his personality, Love, Cecil is a perfect tribute to all of the contrasting sides of this multifaceted, multi-talented artist.
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.
In Orange is the New Black season 6, the inmates of Litchfield Penitentiary have to deal with new rivals and have their friendships tested.
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.
Lost Warrior dares to challenge viewers on ideas of rehabilitation and forgiveness through its compelling case study of a young family separated by a cultural identity crisis.
Despite a strong beginning and strong performances, Siberia is ultimately a confounding mess of genres and tone.
In Skate Kitchen, Camille’s (Rachelle Vinberg) life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders.
For this Staff Inquiry, the Film Inquiry team lists their favorite guilty pleasures; films that aren’t great (or even terrible) can be oh so enjoyable.
The Devil’s Doorway is effective up to a certain point, but ultimately it squanders all of the potential set up in its first act in lieu of a very by-the-numbers found footage horror.
What We Started is not a just documentary about the history of Electronic Dance Music but a metaphor of how the past has shaped the future.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.