Sun Dogs is a movie that doesn’t have or need a grandiose scheme – it’s about basic human connections and the desire to achieve one’s dream.
In The Escape, an ordinary woman (Gemma Arterton) makes an extraordinary decision which will change her life forever.
Prodigy had potential, but unfortunately, the story was rushed into production instead of being allowed to marinate and be seasoned with time.
Premiering at this year’s Tribeca Film Festival, Justin P. Lange’s The Dark is an ingenious reinvention of the zombie genre, bringing a new rage monster to the cinematic screen and exhibiting what anger and fear truly is. This is a film you will not soon be forgetting.
We were able to talk with Justin P. Lange and Nadia Alexander about the inspiration for and experiences during the filming of The Dark.
Director Lucrecia Martel’s first film in a decade is an opaque and potentially challenging film that is best appreciated as a purely sensory experience.
In Crazy Rich Asians, three wealthy Chinese families prepare for the wedding of the year.
Arlin Golden had the opportunity to speak with directors Julie Cohen & Betsy West, who created the beautiful biopic of the “Notorious RBG”, Supreme Court Justice Ruth Bader Ginsburg.
This belated sequel to Gnomeo and Juliet poorly attempts to expand the cinematic universe – and merely exposes the poor storytelling within.
Lee Jutton reviews three documentaries from all over the world: Tanzania Transit directed by Jeroen van Velzen, Studio 54 by Matt Tyrnauer and Kaiser: The Greatest Footballer Never to Play Football by Louis Myles.
Thanks to the funny and occasionally moving performances of Gould and Clement and a confident feature film debut from Hoffman, Humor Me qualifies as a passable entry into the midlife crisis sub-genre.
In The Dark, a flesh-eating young girl haunts the woods where she was murdered, as a murderer herself. When she discovers an abused kid inside the trunk of a car, her decision to let the boy live throws her existence into upheaval.
From Forbidden Planet to Frogs, there’s nothing like a good ole sci-fi/horror picture. But among all my beloved flicks, Killer Klowns From Outer Space reigns supreme; it also happens to be this film’s 30th anniversary.
Kristy Strouse covers some of the short films she saw at the Tribeca short film programs, and two television pilots, Fabled and Driver Ed.
From the 2018 Tribeca Film Festival, Kristy Strouse reviews Alia Shawkat’s new film Duck Butter, the film starring Taika Waititi as a cult leader, Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh and the Martin Freeman zombie vehicle, Cargo.