Funny Cow is one of the most harmful depictions of the British working class in popular culture since Sacha Baron Cohen’s Grimsby, in addition to being one of the most mindbogglingly racist and homophobic films in recent memory.
Director Adam MacDonald mostly succeeds with Pyewacket being a simple, heartfelt tale focusing on the disintegration of a mother/daughter bond, without too much background noise as a distraction.
In this retrospective guide, we examine the work of recently deceased filmmaker Isao Takahata, one of the pioneers of Studio Ghibli.
Imitation Girl is an interesting character study focusing on women asking the questions: Who am I? and What do I have to show for my life? Lauren Ashley Carter gives strong performances as both Julianna and her imitation in this unique and captivating film about identity.
With exceptional performances from Hill, Phoenix, Mara, and Black, an inventive score from Elfman, spasmodically calculated direction by Van Sant, and an incredible true story, Don’t Worry, He Won’t Get Far On Foot succeeds as a biopic.
The love affair between poet Percy Shelley and 18 year old Mary Wollstonecraft Godwin, which resulted in Mary Shelley writing Frankenstein.
At the inaugural San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with Oscar-winning producer, lawyer, and entrepreneur Blye Faust.
Samuel Maoz’s Foxtrot toys with our emotions, but that doesn’t mean it lacks any of its own. This is an energetic and structurally audacious jukebox of sensations, prioritising impulse over precision and thought over action.
Casting, director Nicholas Wackerbarth’s meta tribute to Fassbinder’s 70’s masterpiece The Bitter Tears of Petra Van Kant, is a fantastically cringeworthy comedy in the same vein as Toni Erdmann.
With energetic sports play, a respect for its story and characters, and a slightly heavier final takeaway, The Miracle Season rises above the pitfalls that many feel-good biopics often fall into.
As I flip through my senior year high school yearbook, I see the familiar faces…
It is always a breath of fresh air when a documentary like Skid Row Marathon comes along, which is so heartwarming and heartfelt that you can’t help but be moved emotionally.
In the latest of our Take Two series, we tackle Alien: Covenant, the Ridley Scott thriller that tried to balance science fiction with philosophical intrigue.
Watching Claire’s Camera feels like watching a film being made right in front of you with director Hong laying bare his cinematic style in that he doesn’t know where he’s taking us, but he’s just as interested to find out.
Western is Valeska Grisebach’s homage to the classic genre, focusing on a group of German construction workers in Bulgaria while playing with themes of overt masculinity and identity.