Upon first viewing, Phantom Thread is utterly irresistible, but the dense themes and examinations of inter-character relationships means that it is the rare Anderson effort that will only be upgraded to masterpiece status once it has fully been processed after multiple viewings.
Shawn Glinis provides his personal retrospective of James L. Brooks’ classic comedy Broadcast News on its 30th anniversary, showing us how the film’s understanding of the world colors his own.
The Insidious franchise has quietly grown to be one of the most impressive and contemporary horror- and Insidious: The Last Key is another solid entry, despite the January release date.
A sequel to an earlier short, Don Hertzfeldt’s World of Tomorrow 2 has just as much ambition as its predecessor, with astounding animation, voice acting, and an overall worldview of existential pessimism.
Though occasionally unsurprising, Better Watch out is a strong alternative to the regular holiday viewing because of the nasty genre thrills it delivers whilst being wickedly funny.
Journeyman, directed by and starring Paddy Considine, tells the story of a man who has been a boxer for years and it seems all is fine until he collapses at home after a particularly punishing title defense.
Bright is a film trying too hard, with an execution that leaves something to be desired. What is good gets smothered under the excess, and while it might keep some entertained it doesn’t stick with you.
Mom and Dad maintains its absurdity, while not completely abandoning its eerie core, sensitively playing off a very personal, instinctual source of parents defending their young – until they become prey.
Mary Magdalene tells the story of the life of the biblical figure Mary Magdalene – played by Rooney Mara. Since it will be distributed by the Weinstein Company, it will be interesting to see if it survives the controversy surrounding the company.
Director Luca Guadagnino’s three previous films, including critical favourite Call Me By Your Name, couldn’t seem any more different from the outside. All three are linked by the theme of desire- but does that reverberate into a thematically coherent trilogy?
Despite some wonderfully imaginative special effects, Downsizing falls short due to its unfocused nature, an underdeveloped love story, and some feeble attempts at social satire.
In finding the perfect lead in Jackman as Barnum, providing moving and invigorating musical numbers executed by a stellar secondary cast, impressive visuals, and covering timely topics, The Greatest Showman overcomes its narrative shortcomings.