With his hundredth film, director Takashi Miike shows no signs of slowing down, with another fantastic, blood-soaked cinematic treat.
Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.
Embrace the silliness or get out of the way of Rampage, because this monster movie isn’t claiming to be anything more than a good time.
In the latest of our Take Two series, we reexamine Batman & Robin, the sequel we watched so you don’t have to.
Film Stars Don’t Die in Liverpool is not a faultless affair, but the central love story and performances make up for its minor flaws.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
At times mysterious and intoxicating, Holy Terrors is an above average supernatural horror anthology – but it most definitely has its flaws.
Blade Runner 2049 may be acclaimed by critics and cinephiles alike, but why did the general audience fail to love it as much?
Regardless of the context it’s currently being viewed in, Louis C.K’s I Love You, Daddy,…
Justice League has its flaws, but is outweighed by its superb direction, decent dialogue and the bonding of its heroes throughout.
John Krasinski takes a sharp turn with his third directorial feature, leaving behind quirky indies and heading straight for horror with A Quiet Place.
The amount of ground covered in this documentary means it feels like a useful beginner’s guide to Joan Didion’s work- but nothing more.
Settings are often so integral to a film that they can become as important as characters themselves; here are five prominent examples.
In a time where footage of police assault and murder is a regular occurrence, we…
Lady Bird is an inspired coming-of-age story by first-time solo director Greta Gerwig, containing a plethora of dynamic performances to boot.