Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Blockers is an upcoming comedy about Mitchell (John Cena), Hunter (Ike Barinholtz), and Lisa (Leslie…
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
It’s almost Halloween, so the Film Inquiry writers tell about the films that truly scared them. Even traumatised them.
Suck It Up admirably attempts to tell a story with flawed women at its centre, yet sadly falls back on clichés and stereotypes at every turn.
Brimstone & Glory is a unique documentary and you’d be doing yourself a disservice to not catch it in theaters.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.
In her final report, Emily recalls more films from the Heartland Film Festival, including Thelma, Dolores, Liyana and more.
Despite belonging in the overdone sub-genre of found footage, Hell House LLC manages to just stand out amongst the masses.
Whilst it has many problems, Maya Dardel is a prickly, contentious and fascinating film that knows with absolute certainty what it is.
Tomb Raider is an upcoming live action film based on the popular ’90s video game, featuring Alicia Vikander in the lead role
In this in-depth analysis of the revelations of abuse of women in Hollywood, we consider how we got here, and what we can do.
Happy Death Day is a fun slasher film that likens back to the slasher days of old, albeit with a Groundhog Day twist.
THE PARTY: This One’s Got My Vote
The Party is an example of well-structured storytelling that relies on clever narrative structures, witty dialogue and a sparkling cast.