In this sequel, Daddy’s Home 2, we join Brad and Dusty as they deal with their fathers around the holidays.
Amir Bar-Lev’s 2007 documentary My Kid Could Paint That isn’t about the real life art world scandal; it’s an exploration of the author’s irrelevancy.
Emily Wheeler reports from the Heartland Film Festival, where she saw films ranging from biographical dramas to documentaries.
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
Tomas Trussow reports from Toronto International Film Festival with reviews of Agnes Varda’s latest, FACES PLACES, SWEET COUNTRY and more.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
It’s hard to name a leading lady who hasn’t gotten anxiously smoked in one of Woody Allen’s films, and Kate Winslet is next in Wonder Wheel.
Hallow’s Eve is soon upon us, so it’s time to revisit our favorite horror classics. We consider what makes the 1978 Halloween work so well!
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.
We report from BFI London Film Festivals with reviews of The Party, Loving Vincent, Brawl on Cell Block 99 and many more.
Alex Arabian spoke with Paul Haggis, writer of Oscar winning films such as Crash and Million Dollar Baby, and honoree of EMIFF.
The Bachelors, a comedy drama coming to theaters on October 20th, stars Julie Delpy and J.K. Simmons. This is an exclusive clip.
Premiering back in 2004, Saw is a landmark horror film, launching a multitude of sequels in addition to an entire sub-genre of horror.
Rebel in the Rye is interesting when looked at from a writer’s perspective, but unfortunately doesn’t work as a cohesive biopic.
The Mountain Between Us, a tale of two strangers (and a charming dog) who find…