Expertly performed by the dynamic duo of Rooney Mara and Ben Mendelsohn, Una proves to be a searing – though discomfiting – watch.
While neither boring or a laugh-riot, Crash Pad is a perfectly fine and forgettable way to pass ninety minutes.
We spoke with Sandra Seeling Lipski, founder of the Evolution Mallorca International Film Festival, just before its 6th opening this week!
Star Wars Episode VIII: The Last Jedi is the latest adventure in the Star Wars saga which has been going strong for 40 years.
Tom of Finland feels like two disparate films brought together, and only Pekka Strang’s strong performance saves it from being a total wash.
An Inconvenient Sequel may struggle narratively, but its message about coming together to battle climate change is as important as ever.
The Chilean drama A Fantastic Woman beautifully captures the story of a transgender woman, who is brought to exquisite life by Daniela Vega.
In the final week at Adelaide Film Festival, Alex Lines recalls some of the films he saw, including documentaries & inspired foreign dramas.
40 Years In The Making: The Magic Music Movie premiered at the Woodstock Film Festival and…
On the second report from Heartland Film Festival, Emily Wheeler discusses 3 films, which range from a French drama to an Australian Western.
The Meyerowitz Stories may be a typical satire for Noah Baumbach, but the character of Danny, warmly played by Adam Sandler, helps to raise it.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Blending science fiction, social satire, comedy, and drama, Downsizing promises a lot, even for a director like Alexander Payne.
Alice Trueman’s Egg is a beautifully shot and scored comedy, mixing both the relatable and the absurd in a uniquely engaging way.
The Bachelors is a scarcity of a film, one that transcends several genres to create an affecting orotundity through its singular voice.