In this final report, the Film Inquiry team sums up their last film-watching experiences of the BFI London Film Festival.
Will You Be My Witness? proves to be an enjoyable slice of entertainment with a deeper message, suitable for all fans of the pop performer.
In his final Toronto International Film Festival report of the year, Tomas Trussow looks at Downsizing, Disobedience and The Death of Stalin.
Harold Lloyd is among the great silent comedians, and his work, which also spans into talkies, should speak for itself.
Like Armando Iannucci’s other work, The Death of Stalin is a reliably funny romp—it’s just not going to be seen as one of his best efforts.
Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.
Stephanie Archer takes an in-depth look at Wonderstruck, the official centerpiece selection of the 2017 New York Film Festival.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
In this sequel, Daddy’s Home 2, we join Brad and Dusty as they deal with their fathers around the holidays.
Amir Bar-Lev’s 2007 documentary My Kid Could Paint That isn’t about the real life art world scandal; it’s an exploration of the author’s irrelevancy.
Emily Wheeler reports from the Heartland Film Festival, where she saw films ranging from biographical dramas to documentaries.
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
Tomas Trussow reports from Toronto International Film Festival with reviews of Agnes Varda’s latest, FACES PLACES, SWEET COUNTRY and more.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
It’s hard to name a leading lady who hasn’t gotten anxiously smoked in one of Woody Allen’s films, and Kate Winslet is next in Wonder Wheel.