With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
If we can accept aesthetic subversion as a form of commentary or aesthetic, why do we still consider trash films as some sort of failures?
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
Amir Bar-Lev’s devotion for the Grateful Dead is a clear, but his skill makes Long Strange Trip a movie that even non-believers can appreciate.
With a tagline like ‘Last call, Pitches’, Pitch Perfect 3 seems to be the final hurrah for the Bellas, and they’ll go out with a bang.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 2005 political drama Good Night, and Good Luck.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
One of two live-action Winnie The Pooh films coming soon is Goodbye Christopher Robin, which tells the story of how A.A. Milne got to write his famous stories.
Enid and Rebecca’s ironic appreciation of pop culture in Terry Zwigoff’s 2001 cult film hides an insightful look at young adulthood.
This insightful, genre bending thriller shouldn’t slip under the radar- it should transform Victor Almanzar to an in-demand screen presence.
To the Bone is the upcoming Netflix release with Lily Collins as a young woman in the throes of anorexia, directed by Marti Noxon.
The Planet of the Apes films have made us wonder about the price of power, and how humans will do everything to get it – will the third do the same?
For Dinner With Dames #9, Cinefemme gathered a group of women filmmakers to dine with Lawrence Kopeikin, entertainment attorney at Morris Yorn.