Lars von Trier has become infamous for his unabashedly grim and provocative works, yet he is a distinctive and brilliant director as well.
Well told, The Journey is an examination of the political relationship between Martin McGuinness and DUP Retiree Reverand Ian Paisley.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
The Seeker is a testament to Cloud Cult’s commitment to exploring new heights in the synergy between music and visual artistry.
Director Matthew Heineman brings audience close to danger again with his latest documentary, City of Ghosts.
Australian director Peter Weir is known for his outsider characters triumphing over adversity; here is a rundown of his most famous films.
Manon de Reeper spoke with MIGHTY GROUND director Delila Vallot about homelessness in Los Angeles and the portrayal of the issue in her film.
We spoke with Andrew Jupin, who is planning a screening of Stop Making Sense at The Jacob Burns Film Center in honor of Jonathan Demme.
While the filmmaking ambition of this low budget production can’t be faulted, What Waits In The Red feels overly familiar and somewhat cliched.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.
We were able to talk with Edda Manriquez, the organizer of the female-empowering Les Femmes Underground International Film Festival.
It may not be one of the most technically efficient documentaries ever made, but Hearing is Believing is certainly one of the most heartfelt.
The Lovers is an alternative romance that considers the harsh reality that maybe one love isn’t forever, and is simply the stuff of movies.
In biographical crime film, American Made, a pilot (Tom Cruise) finds work in the CIA as a drug runner in the 1980s.
Film Inquiry Editor in Chief is in LA and reports on the first two films she saw at the Los Angeles Film Festival: Midnighters and El Vecino.