Film Inquiry writer Alistair Ryder shares his experiences of his first day at Sundance London, and the four films he was able to see.
The setup of Wind River provides Taylor Sheridan another opportunity to steep his action in issues specific to forlorn places and murky justice.
Pickpocket (1959) is an intricately staged, intimate character study from Robert Bresson – solidifying itself as one of his greatest works.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
With Take Me, actor Pat Healy brings his talent behind the camera, and in the process creates a delightful twist on the kidnapping narrative.
Lately, studios have made a lot of fuss about the supposedly “openly gay” characters in their films. This article is on why queer-coding is harmful.
Jeannette Walls’s memoir on her unconventional childhood serves as the basis for The Glass Castle, a multifaceted tale of her lively & troubled family.
Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
Thirty years on, Alan Clarke’s fitfully funny film, Rita, Sue and Bob Too, still holds up as a first-rate character study and resonant critique of the Thatcher era.
Despite some reservations, the short films featured in Chicagoland Shorts Vol. 3 are creative, thought-provoking and accomplished.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
Overloaded with action and lacking in strong character moments, Dead Men Tell No Tales is an unworthy addition to the Pirates franchise.
Joan Crawford & Bette Davis’ feud is one of classic Hollywood legend; we look at What Ever Happened To Baby Jane and how they became rivals.
Everything the Light Touches is an introspective look at a Welsh Elvis impersonator, and also manages to be something even more profound.