From the biting neorealism of Visconti and De Sica to the gory giallo of Argento, the storied history of Italian cinema is truly compelling.
B&B is a Hitchock-inspired thriller that manages, while not gracefully, to hit on a broad spectrum of issues gay people face in the West.
Laura Birnbaum reviews films seen at the 2017 Chicago Critics Film Festival, including The Little Hours, Berlin Syndrome, and La Barracuda.
David Lynch: The Art Life delves into the abstract world of Lynch, the artist. But while it intrigues, some mysteries still remain.
The Immortal Life of Henrietta Lacks tells the story of Henrietta Lacks, whose cells helped to give birth to modern bio-medicine.
Good Time’s title is clearly a sarcastic jest; no one is having a good time here, and there’s allusions to time spent running towards a dream that’s not fully realized.
Not all remakes are created equally. While many can be terrible some can excel. Here Zac Hestand presents the six levels of remake hell.
The Film Inquiry team discusses their favorite film adaptations, whether they’reb ased on books, comics, plays or short stories! Share your favorite adaptations in the comments.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
Despite some well-directed action sequences, Unlocked is mostly fleeting entertainment, inserting nothing new into a tired-out spy genre.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.
Most of the weird stuff in the trailer for Battle of the Sexes really happened, right down to the sugar daddy jacket, so while it may seem irreverent to make this landmark event into a comedy, it sort of always was one.
In his films, Cameron Crowe has often returned to similar motifs and themes; we explore his films and analyse how he applies his trademarks.
In the Shadow of Iris has inklings of greatness, but it suffers from a muddled plot and some questionable casting and production choices.
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.