Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.
With a fast-paced sense of humor, old-styled and eye-catching animation, and a stellar soundtrack, Cats Don’t Dance should have been a hit.
Beyond the North Woods offers hope for local, micro budget filmmaking to reinvigorate even the most familiar of premises, turning content back into art.
Described as a post-apocalyptic thriller involving a future impacted by a war between humans and AI.
Kevin Smith’s star-studded 1999 religious slacker comedy “Dogma” is both one of the worst movies ever made and also one of the best.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
If you aren’t already disenchanted with capitalism and the way it sucks people dry, then Unrest is here to help.
In Manhattan in the summer of 1979, a young man is arrested for a shocking crime, and an unlikely investigator must solve the mystery behind it.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
The Plains, in its supposed mundanity and ritual, gives us the gift of time to really take in the cinematic image.
Ray Romano’s directorial debut Somewhere in Queens is a heartfelt story about family and going too far to protect those we love.
If “Still: A Michael J. Fox Movie” shows us anything, it’s the extinguishable spirit that has kept Michael J. Fox going for decades.
Through each other’s sympathetic eyes, in this winning, queer coming-of-age tale that still feels in a category all its own, two lonely women become queens.