Host Jesse Nussman and guest Hunter Heilman discuss Halloween Ends. Then, each of them discusses one of their favorite movies of the year so far.
The online Femme Filmmakers Festival 2022, run by Filmotomy, drew to a close this October, concluding its seventh year.
While it might lose its way at times, ultimately, The Whale is a fascinating story anchored by an incredible performance from Brendan Fraser.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
A US soldier suffers a traumatic brain injury while fighting in Afghanistan and struggles to adjust to life back home.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.