Features
Alex Lines attended Revelation Perth International Film Festival 2018, reporting on the films he was able to see there, among them Ghost Stories and Our New President.
Midnight in Paris uses time travel to 1920’s Paris to deal with themes of nostalgia and the fallacy of Golden Age thinking.
Quentin Tarantino has become synonymous with his ability to portray villains as cool, ostensibly relatable people that you want to cheer for; here’s why that is problematic.
For Dinner With Dames #16, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Peter Van Steemburg, Vice President of Acquisitions and Production at Universal Pictures
Willow Polson, creator of Vintage America with Ginger, talks to FI’s Jacqui Blue about her creative process and upcoming projects.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.
In this part of the Fantasy Science column, we’re diving into the scientific underpinnings of Ant-Man’s power: resizing and going “subatomic”.
For this Staff Inquiry, the Film Inquiry team lists their favorite guilty pleasures; films that aren’t great (or even terrible) can be oh so enjoyable.
We spoke with Tim Wardle, director of the great documentary Three Identical Strangers, about the psychology of the film, its subjects, and more!
The Sadist is a 1963 exploitation picture that lives in relative obscurity – but its technical ingenuity is begging to be rediscovered.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.
While Emperor of the North (1973) accurately portrays the unique subculture of the hobo in many ways, it also does itself a disservice by removing friendship between hobos, a central aspect of hobohemia.
We spoke with Andrew Fleming, writer/director of IDEAL HOME, about reuniting with Coogan, the current state of the film and TV industries, and more!
In our latest entry of Anarchic Cinema, we discuss the birth of Japanese V-Cinema and the contributions of Takashi Miike.
In this new Fantasy Science, we are revisiting the Fermi Paradox: if there are so many galaxies and planets out there, why haven’t we found evidence of alien life?