Features
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
In the latest of our Away From the Hype series, we take a look at The Dark Knight Rises, the final cap to Christopher Nolan’s Dark Knight trilogy.
Deadpool 2 is the most recent, and to some minds, most egregious, example of a mainstream film figuring out that it can benefit from appearing subversive, without needing to put in the creative work of fulfilling this promise.
Jax Griffin was initially extremely sceptical of the possibilities of virtual reality, but as she explored the VR projects available during the SXSW VR expo and spoke with the creators, she soon changed her mind.
While many found the 2017 release of Blade Runner 2049 to be misogynistic, the perceived sexism within the film may be more than meets the eye as the movie turns out to express anxiety about the past and not the future and an avoidance of human society.
For this month’s Staff Inquiry, we’re examining films that were better than their original book counterparts, and we came up with some great examples.
In this segment of Time Crisis, we look back at the 2014 hit Edge of Tomorrow, examining why this is the best time loop film since Groundhog Day.
Film Inquiry’s resident physicist takes a look at teleportation in film and TV, explains how teleportation would work, theoretically, and whether one day we might be teleporting from A to B.
Lee Jutton had the chance to sit down and talk with the executive producers of PHENOMS, a new soccer documentary series, Mario Melchiot and David Worthen Brooks about how they chose their subjects and some of the most powerful moments they captured on the camera.
Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.
We were able to talk with the great Paul Schrader, director and writer of the upcoming film First Reformed, out on May 18th.
In our latest Away From the Hype, we examine The Blair Witch Project, seeing if the classic found footage horror still holds up after all this time.
We take a look at a number of films that have helped paved the way for genuine change in social systems, legislation and policies.
We examine the motives of Thanos in Avengers: Infinity War, and how they relate in a familiar way to the traditional superhero narrative.
Stephanie Archer reports on her time during Tribeca Film Festival 2018, and on her final day, recaps the Tribeca Retrospective Schindler’s List.