In this third part of Fantasy Science, we’re going to get into how multiple universes may be possible. We’ll attempt to categorize some of the ones represented in popular fiction, starting off with the film The Golden Compass.
Away from the hype and the Twitter hubbub and the behind the scenes stories, Fantastic Four is still a very bad movie. Hopefully, it hasn’t put the final nail in the coffin of perspective Fantastic Four adaptations.
Alex Arabian spoke with Jason Sudeikis on the red carpet of upcoming Netflix film Kodachrome at San Francisco International Film Festival, about working with Ed Harris, Elizabeth Olson and director Mark Raso.
Love, Simon may be a cute addition to the romantic comedy genre, but Film Inquiry writer Tessa Bahoosh argues that despite its abundance of charm, the film is more concerned with appealing to straight audiences, rather than the closeted kids who need it.
We sat down with documentary producers Yvonne Huff Lee and Jason Delane Lee of the Lagralane Group and chatted about their journey into film finance, their favorite past productions, what they have coming up next.
For this Staff Inquiry, we examine the films that make us cry, with examples ranging from the personal to overall moving manifestations of life’s struggles.
After years as a struggling actress, Ana Asensio decided to try get her own project off the ground. A year after it’s SXSW premiere, and her film, MOST BEAUTIFUL ISLAND, has endured a wave of acclaim. She spoke to Andrew Winter about the process of producing, directing and starring in the film.
We had the chance to talk with Mike Ott, director of fiction/non-fiction blend CALIFORNIA DREAMS, about documentary filmmaking and about the fine line between fiction and reality.
Twelve Monkeys is Terry Gilliam’s dystopian vision of time travel, in which everything that happens is inevitable, probing into questions of the meaning and purpose of life.
If you are even remotely familiar with technology, science fiction, or the world of computers, you’ve probably heard the phrase ‘Turing test’. Let’s explore this test, and the way it’s portrayed and used in Ex Machina.
For Dinner With Dames #14, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Kimberley Browning, producer, executive producer of HBO Access, and associate programmer at TriBeCa Film Festival.
Chapman and Maclain Way’s six part documentary series Wild Wild Country is an ambitious six part documentary series that needs to be seen to be believed. The directors spoke to Film Inquiry’s Kristy Strouse about making this monumental project a reality.