We spoke with Michelle Kantor about her non-profit organisation Cinefemme, which supports women filmmakers in Hollywood with fiscal sponsorship, networking and more.
Strangers on a Train is one of Hitchc*ck’s famous works – using only camera techniques and visuals, it successfully conveys a chilling story, and achieves its horror with less than blood and creepy props.
The films that are so bad they’re good are the epitome in ironic movie-watching: intentionally watching terrible films in order to laugh at their technical failures, providing more humour than most comedies nowadays.
As we always do at the start of each month, we look back on the great articles we published the month before. In November we published over 70 interesting, in-depth features, reviews and a bunch of interviews. Here are our favourites!
For her talent and contribution to film alone, Crawford deserves a better legacy than what she ultimately received. By all accounts, she achieved her success through hard work, determination, and innate intelligence.
Cinefemme gathered another group of inspiring female filmmakers, writers and content creators for the third iteration of Dinner With Dames, to dine with Elvia Van Es, Vice President of Development for TLC.
In Our “Nominated Film You May Have Missed”, we reflect on films that received Oscar nominations in the past, but have been forgotten, or little seen. Mr. Smith Goes to Washington is a classic, delving into themes of patriotism, government corruption, and the power of democracy.