Film Festivals
In this final report, the Film Inquiry team sums up their last film-watching experiences of the BFI London Film Festival.
In his final Toronto International Film Festival report of the year, Tomas Trussow looks at Downsizing, Disobedience and The Death of Stalin.
Stephanie Archer takes an in-depth look at Wonderstruck, the official centerpiece selection of the 2017 New York Film Festival.
Emily Wheeler reports from the Heartland Film Festival, where she saw films ranging from biographical dramas to documentaries.
Tomas Trussow reports from Toronto International Film Festival with reviews of Agnes Varda’s latest, FACES PLACES, SWEET COUNTRY and more.
We report from BFI London Film Festivals with reviews of The Party, Loving Vincent, Brawl on Cell Block 99 and many more.
Alex Lines reports from Adelaide Film Festival, and reviews Aussie films Guilty, Sweet Country Cargo and more!
Chloe, Alistair and Ryan report from BFI London Film Festival, reviewing films Wonderstruck, Pickups, Breathe and many more!
At NYFF, the series calls Genre Stories contains a plethora of short films, from sci-fis to horror, and made from a diversity of backgrounds.
Stephanie Archer reports on two films from the NYFF 2017 that examine the loss and struggle of an American Cowboy and the Florida projects.
We continue to cover the multitude of films coming from London Film Festival, with reviews of among others, 1%, Lean on Pete and Good Manners.
Axel Grigor, editor/director of the documentary about legendary Australian film editor Jill Bilc*ck, spoke with us about his film and editing.
Mini-series Fucking Adelaide premieres at Adelaide Film Festival on October 8 – Alex Lines spoke with Director Sophie Hyde.
Stephanie Archer discusses three foreign films from this year’s NYFF that examine realities shattered and the consequences that follow.
In his fifth report from Toronto International Film Festival, Tomas Trussow shares his thoughts about Breathe, Darkest Hour, Caniba and more.