A SUN 陽光普照: Bloated But Moving
A SUN 陽光普照: Bloated But Moving

Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.

BFI Flare 2020: Ask Any Buddy and My Fiona
BFI Flare 2020: ASK ANY BUDDY & MY FIONA

Two very different recommendations from BFI Flare 2020: Evan Purchell’s explicit doc Ask Any Buddy, and Kelly Walker’s comedy drama My Fiona.

THE SONATA: A Sharp Concept Played Flat
THE SONATA: A Sharp Concept Played Flat

The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.

10 THINGS WE SHOULD DO BEFORE WE BREAK UP: The Beginning Is The End
10 THINGS WE SHOULD DO BEFORE WE BREAK UP: The Beginning Is The End

For all of its faults, 10 Things We Should Do Before We Break Up will woo you into enduring this snapshot of a relationship set to fail.

SXSW 2020: THE TOLL: Don't Blame The Victim
SXSW 2020: THE TOLL: Don’t Blame The Victim

With its deeply rich messaging and intense showcase of tension, The Toll is definitely a film to add to your must-see list.

ALL THE BRIGHT PLACES: Mishandled Tragedy
ALL THE BRIGHT PLACES: Mishandled Tragedy

All The Bright Places is a disservice to teen audiences who have longed for an honest depiction of serious issues like mental illness and suicide.

SXSW 2020: DRUNK BUS
SXSW 2020: DRUNK BUS

Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.

THE ACCUSED: DAMNED OR DEVOTED?: Risky Doc Examines Pakistan's Blasphemy Law
THE ACCUSED: DAMNED OR DEVOTED?: Risky Doc Examines Pakistan’s Blasphemy Law

Continuing to earn remarkable access and focus on taboo topics, in The Accused: Damned or Devoted? Naqvi turns his lens to Pakistan’s blasphemy law.

SXSW 2020 Short Films: RUN ON And THE SHAWL
SXSW 2020 Short Films: RUN ON And THE SHAWL

Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.

FIRE WILL COME: It Certainly Does, But Little Else Follows
FIRE WILL COME: It Certainly Does, But Little Else Follows

Fire Will Come has the market cornered on the artistry, but for all its technical skill, it comes up short, both in length and in content.

OLYMPIC DREAMS: A Cinematic All-Access Pass Into The Games
OLYMPIC DREAMS: A Cinematic All-Access Pass Into The Games

In order to fully enjoy Olympic Dreams, one needs to see it as an experiment.

Glasgow Film Festival 2020: Round-Up
Glasgow Film Festival 2020 Round-Up

In his final round-up of Glasgow Film Festival 2020, Daryl McDonald reviews the French films Les Miserables and Les Traducteurs, as well as Vivarium and James VS His Future Self.

SXSW 2020: THE DILEMMA OF DESIRE: An Education On Female Pleasure
SXSW 2020: THE DILEMMA OF DESIRE: An Education On Female Pleasure

The Desire of Dilemma is an eye-opening and a vital informational showcase on female sexuality for everyone, today, yesterday and tomorrow.

CRIP CAMP: Beautiful History Lesson On Disability Rights Movement
CRIP CAMP: Beautiful History Lesson On Disability Rights Movement

Crip Camp is a beautiful, wonderfully entertaining and insightful history lesson on civil rights for the disabled in America.

Glasgow Film Festival 2020: DENMARK
Glasgow Film Festival 2020: DENMARK

Denmark isn’t really interested in trying to answer any questions it raises, instead it is content to muse on the journey of one man who just wants a better life for himself.