Film Reviews
For Kristy Strouse’s first report from Sundance, she was able to experience VR projects, in addition to speaking with one of an exhibit’s creators.
Piercing is an absolutely weird, kinky, stylish film that might not be to everyone’s taste; it is guaranteed to thrill some filmgoers and offend some others.
Soni, as a gritty realist portrait, feels fresh and unique – both in it’s portrayal of Kalpana and Soni and its technical achievements.
Video Dispatches is a regular digest of recent home video releases, usually from boutique and restorative labels. Here, we discuss Marwencol, Waterworld, and a trio of Iranian films.
Dynamic turns from its two stars and an intriguing relationship at its core makes Nina watchable, if occasionaly frustrating elsewhere.
In our fifth report from the 2019 Sundance Film Festival, we cover Apollo 11, Ms. Purple, Always in Season and The Disappearance of My Mother.
My next report from Sundance 2019 finds the festival really hitting its stride. An artsy…
The Quake repeats a lot of the same beats from The Wave, assuming it’ll be another sure-fire success – but it leads to a mild case of sequelitis.
Our next report from Sundance includes a drama set in San Francisco, a biopic about Ted Bundy, and a documentary about LARPing.
Riverdale’s “No Stranger” was not an episode where the biggest bang left the deepest mark. It was an episode based on subtitles, ones that will have lasting effects through the season.
In our second report from Sundance Film Festival, we cover Apollo 11, Ms. Purple, Always in Season and The Disappearance of My Mother.
Serenity is a little bit genius, a little bit of a mess, but at the very least it is something interesting, and it commits to itself and its choices.
Lost Holiday illustrates our inescapable desire for the days when irresponsible behavior was met with laughter and a slap on the wrist, but what happens when that responsibility is willfully ignored.
I With awards season in full swing, I had the opportunity to watch five live-action short films…
I Am the Night is a thrill ride that not only tells Fauna Hodel’s incredible story, but also pays homage to the LA noirs of the past.