Despite its eclectic performances, The Vanishing is a snail-paced buildup to real action and suspense that doesn’t have enough substance to give the narrative some weight.
Crystal Swan is about the murky foundation that the American Dream is built on, but the persistence it instills on those who are willing to fight for it.
Proving the undead ain’t quite dead just yet, One Cut of the Dead remind us that even though some ideas might sound generic or overworked, it’s ultimately up to the execution
The Standoff at Sparrow Creek is a shadowy, overly serious affair, and every element of its narrative and craft reflects the film’s white-knuckle grip.
On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
Patrick takes a currently successful formula and twists it into an unbearably cutesy mess, created for shallow monetary gain from an indifferent public.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
Close is frustratingly shallow, and in its breakneck pace leaves some of its character development in the dust, while trying to wring every bit of emotion out of its quieter moments.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
Adult Life Skills is a poignant examination of a young woman whose growth has been stunted by grief, carried by Jodie Whittaker’s charming performance.
While there was not much of a setup for the second half of the season, there is a feeling that things are about to get seriously shaken up in Riverdale as fans fear the loss of a favorite.