Film Reviews
In this report from Sundance 2019, Kristy Strouse covers three films: The Sharks, After the Wedding, and The Mustang.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.
Riverdale’s “The Red Dahlia” was a deep focus on the concept of right and wrong, that there is no clean cut way to define it, especially within a town of lost souls.
While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
This year at Sundance there were six films from Australia, and we were able to catch three: I Am Mother, Top End Wedding and Little Monsters.
In our seventh report from Sundance Film Festival 2019, we cover Hail Satan?, Luce, Adam, Sweetheart and Corporate Animals.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
In our sixth report from the 2019 Sundance Film Festival, we cover Clemency, The Souvenir and Light From Light.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Polar is as by-the-book as an action film can be, and that book isn’t even a very interesting one.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
For Kristy Strouse’s first report from Sundance, she was able to experience VR projects, in addition to speaking with one of an exhibit’s creators.
Piercing is an absolutely weird, kinky, stylish film that might not be to everyone’s taste; it is guaranteed to thrill some filmgoers and offend some others.