Film Reviews
Another Wolfcop is a worthy horror comedy, with a memorable team of characters at its center.
Sorry to Bother You is the perfect film for this particular moment – a moment that feels defined by the struggles of the ordinary people against traditional structures of power – even if it isn’t a perfect film.
The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
Us and Them is an extraordinarily impressive directorial debut from Rene Liu that will leave you contemplating the best and worst of romance.
Mannered, but direct, like the institution it portrays, Ex Libris is an open book that invites any inquiring mind to explore its many avenues.
Ant-Man and the Wasp is an enjoyable blend of superhero action and familial comedy, with a strong central cast to make everything work well together.
The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.
Boom For Real is an eye-opening look at how one unique artist was molded and inspired by the time and place in which he lived.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.
By showing Cecil Beaton the respect he deserves, while also not shying away from the less pleasant sides of his personality, Love, Cecil is a perfect tribute to all of the contrasting sides of this multifaceted, multi-talented artist.
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.