Film Reviews
Happy Anniversary blends comedy and drama well, creating a film which never feels like one genre is more prominent than the other.
Kay Cannon’s directorial debut Blockers is an unabashedly raunchy comedy with its heart in all the right places, giving the teen sex comedy a nice sprucing up through big laughs, a game cast and a lean script.
Based on a real-life and serious disease, Midnight Sun, though with initial potential, is ultimately too heavy-handed and clichéd to be an effective romantic drama.
Failing to bring anything new the second time around, Pacific Rim: Uprising suffers from an identity crisis with little chance to rise up from its cinematic shortfalls to save itself.
Though with timely themes of inappropriate romance and sexuality, Submission sadly lacks the insight and perspective to become a movie that represents “now.”
It was absolutely inspiring to see so much strong female content at SXSW Conference and Festivals, and Family, the debut feature by Laura Steinel, was no exception.
Despite An Ordinary Man’s ultra slow pace, it contains a superb score, Silberings’s minimalistic story and grand direction, and Kingsley and Hilmar’s respective tour-de-forces, sharpening in tuning slowly towards a gripping climax.
Prepare to be charmed by Peter Lataster and Petra Lataster-Czisch’s documentary Miss Kiet’s Children, a heartwarming ode to the power of education, and the reality of the refugee crisis on European shores.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
Using almost an entirely autistic cast, Keep the Change is a groundbreaking, intimate portrait that humanizes and explores a vast array of people living with Autism.
Paddy Considine’s long-awaited second film in the director’s chair is an emotionally manipulative disappointment, that has replaced the grit of his debut with a stale, maudlin predictability.
Susan Walters’ All I wish offers a minimally interesting story, but serves up some fine performances from Sharon Stone, Ellen Burstyn, Liza Lapira, Tony Goldwyn, and Gilles Marini.
Father Figures is a swing and a miss, lacking enough entertaining or cogent material to sell this half-hearted comedy.
While better than its predecessor, Beyond Skyline is still a sequel to a thinly conceived film, and even the freshest coat doesn’t work to hide the issues underneath.