Film Reviews
An Inconvenient Sequel may struggle narratively, but its message about coming together to battle climate change is as important as ever.
The Chilean drama A Fantastic Woman beautifully captures the story of a transgender woman, who is brought to exquisite life by Daniela Vega.
The Meyerowitz Stories may be a typical satire for Noah Baumbach, but the character of Danny, warmly played by Adam Sandler, helps to raise it.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.
Alice Trueman’s Egg is a beautifully shot and scored comedy, mixing both the relatable and the absurd in a uniquely engaging way.
The Bachelors is a scarcity of a film, one that transcends several genres to create an affecting orotundity through its singular voice.
In this final report, the Film Inquiry team sums up their last film-watching experiences of the BFI London Film Festival.
Will You Be My Witness? proves to be an enjoyable slice of entertainment with a deeper message, suitable for all fans of the pop performer.
In his final Toronto International Film Festival report of the year, Tomas Trussow looks at Downsizing, Disobedience and The Death of Stalin.
Like Armando Iannucci’s other work, The Death of Stalin is a reliably funny romp—it’s just not going to be seen as one of his best efforts.
Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.
Stephanie Archer takes an in-depth look at Wonderstruck, the official centerpiece selection of the 2017 New York Film Festival.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
Surprisingly, Saw VI seems to have learned from previous entries; with a plot of its own, it manages to be the stand out of the franchise.
Tomas Trussow reports from Toronto International Film Festival with reviews of Agnes Varda’s latest, FACES PLACES, SWEET COUNTRY and more.