Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.
Kuso, though visually interesting at times, is ultimately too disgusting to recommend, and seemingly has no purpose behind it.
Although not a life changing film, let alone a particularly memorable one, Fun Mom Dinner has enough charm to keep you entertained.
Kaurismaki’s latest, The Other Side Of Hope, an intriguing take on the immigration crisis, keeps its important subject at arm’s length.
Turn It Around is a nostalgia piece for those who lived it, a film for the fans to enjoy and a tribute to the man who set it all in motion.
To this survivor, To The Bone had the chance to inspire understanding of anorexia, but ended up being a disappointment.
Plastic Paradise shines a spotlight on the problems that our society has created and its impact on the world in which we live.
In this version of Marivaux’s play False Confessions there are laughs to be had, but its adaptation to modern day makes it a confusing watch.
Fighting Belle initially seems to have potential as a unique and inspirational revenge story, but it ultimately feels cringeworthy instead.
Happy Hour excels in every way a narrative film can, leaving no stone unturned in its examination of different aspects of social life.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Fat Camp may be generic in both story and direction, but it has enough charm and heart to make up for some of its shortcomings.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The Persian Connection is a bold, tense, and thrilling film, even if its thematic reach just exceeds its grasp.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.