RAW: A New Age Ravenous Tale
RAW: A New Age Ravenous Tale

Julia Ducournau’s debut RAW doesn’t deserved to be labelled as “barf bag” cinema, as this is one of the best horror debuts in recent memory.

THE PROMISE: Plagued By Commitment Issues
THE PROMISE: Plagued By Commitment Issues

While The Promise has lofty aspirations and a flimsy base, it proves too thin and drab to be truly gripping.

NIGHT KALEIDOSCOPE: A Visually Astute Mess
NIGHT KALEIDOSCOPE: A Visually Astute Mess

Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.

THE DISCOVERY: A Failed Attempt At An Interesting Idea
THE DISCOVERY: A Failed Attempt At An Interesting Idea

The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.

MOST HATED WOMAN IN AMERICA: No Room For Superlatives In Netflix’s Mediocre Biopic
MOST HATED WOMAN IN AMERICA: No Room For Superlatives In Netflix’s Mediocre Biopic

Most Hated Woman In America never quite lives up to the intrigue of the contentious woman and her story at the heart of the film.

BLUE JAY: Achieving Beauty Through Simplicity
BLUE JAY: Achieving Beauty Through Simplicity

Blue Jay weaves in and out of beautifully written scenes, with a minimalist visual style focusing solely on the performances and the interactions.

THE DEVIL'S CANDY: An Intersection of Genius, Madness & The Devil
THE DEVIL’S CANDY: An Intersection Of Genius, Madness & The Devil

With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.

THE EAGLE HUNTRESS: A Beautiful Story, But Is It A Great Documentary?
THE EAGLE HUNTRESS: A Beautiful Story, But Is It A Great Documentary?

Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.

THE SENSE OF AN ENDING: A Novel Adaptation That Was Best Left On The Page
THE SENSE OF AN ENDING: A Novel Adaptation That Was Best Left On The Page

The Sense of an Ending is a commendable effort from both director and cast, yet its underwritten characters become lost in adaptation.

Interview With THE DARK TAPES Director Michael McQuown
THE DARK TAPES: The Best Found Footage Film In Years

The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.

SOMETIMES, FOREVER: A Dreamy Portrait Of Teenage Love
SOMETIMES, FOREVER: A Dreamy Portrait Of Teenage Love

Sometimes, Forever is a stylish, incisive look at teenage sexuality, and though it’s set in the ’90s, it does much to speak to our own time.

BFI Film Academy Programme: 3 Short Films By Young Up-And-Coming Filmmakers In The UK
BFI Film Academy Programme: 3 Short Films By Young Up-And-Coming Filmmakers In The UK

We got a glimpse of three beautifully inventive and genuinely moving short films made by the 18 teenagers in the BFI Film Academy programme.

THE OTHER RIPKEN: An Accidental Hero
THE OTHER RIPKEN: An Accidental Hero

The Other Ripken is a short but sweet documentary about Billy Ripken, a little-known baseball player who played for the Baltimore Orioles.

JASPER JONES: Entertaining Australian Coming-Of-Age Story
JASPER JONES: Entertaining Australian Coming-Of-Age Story

Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.

Nine Lives: The One Where Kevin Spacey Plays A Cat
NINE LIVES: The One Where Kevin Spacey Plays A Cat

At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.