Film Reviews
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.
A Woman’s Life shows the hardships women endure throughout their lives relentlessly and without optimism, and is depressing as a result.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.
We take a look at Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, which deals with the mundane in a truly unique way.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
Tramps may be a rom-com story we’ve all seen before, but it’s done with charming and nuanced touches that make it a joy to watch.
Lady Bloodfight is full of frenetic, full-blooded fight scenes between a diverse array of badass women that will not disappoint.
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
We spoke with London-based director James Hughes about his short film THE NOMOPHOBE and the implications of smartphone addiction.
Avoiding cliches and mostly celebrating in richly defined performances, Jawbone is among the more engaging boxing movies in recent memory.
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.