In The Stand and Little Bird, our leads hustle and fight to get by in a country that seems to stack the odds ever-increasingly against them.
Superman is possibly the most left-leaning blockbuster Hollywood has produced in the last 20 years.…
Weapons is many things: an entertaining genre film that is both funny and horrifying, an acting showcase for its talented cast.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre.
Together’s greatest strengths lie in its wry reflections on the pleasures and perils of long-term romance.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
Gilliam’s preferred ending to Brazil is bleak and bitter, yet because of that, it feels all the more realistic.
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.
A poetic depiction of how the passage of time has affected a place so close to Frammartino’s heart, Il Dono is a film to lose yourself in.
Few movie franchises have battled allegations of greed like Jurassic Park. Since Steven Spielberg’s trailblazing…
Newly restored: Rosa La Rose, Fille Publique deserves her second chance in the spotlight.