1950s
Creature From the Black Lagoon is a visually stunning and well-designed film that both entertains and thrills, leaving a lasting impression.
Throw in an informative booklet with an essay by Eric Le Roy and Early Short Films of the French New Wave is truly a must-own.
This is the column that digs into the science fiction lover’s world, tackling some of…
Don’t Worry Darling encourage passivity in their focus on the “seductiveness” of the material to the detriment of their politics.
On top of being a visually breathtaking feat of animation, Sleeping Beauty is an incredibly unique film in the classic Disney princess canon.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
Tomu Uchida’s Bloody Spear at Mount Fuji is a masterpiece, offering a complex rewriting of Japanese national mythology.
The new Criterion release allows the viewer to appreciate everything Kobayashi’s towering masterwork has to offer at an even greater level.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
The tragedy in The Music Room, is that he believes in a world where elitism, patriarchy, and status are of equal value to the spiritual advancement of art.
Shadows is a snapshot of a long gone period, embracing the brash and unfiltered attitude of its era by refusing to omit its mistakes.
The Cry of Jazz does not waste energy or time, and in doing so it succeeds in breaking through with its considerable strength.
But Jazz on a Summer’s Day so effectively captures the energy of the moment, making us sense the atmosphere and enjoy it vicariously.
