2010s
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
Russian sports documentary Make them Believe brilliantly uses the lofty dreams of a college wrestler to examine how we chase our goals.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
Though choppy and unfocused, with campy and cringeworthy acting, The Evil Within it has a certain charm behind its bizarre facade.
Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
With its timely statement about diversity in America, the bland and boring Bushwick fails to meet expectations.
Some of the lines in Person to Person may ring with a certain cliched timbre, but perhaps that should only be expected from a film that trades in tired New York stereotypes that are by their very nature familiar and inviting.