2020s
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Film Inquiry sat down with director Dana Ziyasheva to discuss her new film, Greatland, and making a film in a post-pandemic world.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
Starring the remarkable young actor Émilie Bierre, Les Nôtres reminds us that the darkest and most deeply hidden of our secrets will always find a way out.
In Demon Slayer: Mugen Train, can Tanjiro & Co. find the the demon responsible for strange disappearances on the Mugen train?
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
A collection of six short films by Black directors, Our Right to Gaze challenges what has been pervasive since the inception of Hollywood: the “White Gaze.”
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
Directed by Zaida Bergroth, Tove allows the brilliant artist and author behind the Moomins to finally take center stage herself.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Film Inquiry sat down to talk with filmmaker Danielle Lessovitz ahead of the release of her new film, Port Authority.