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Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
“Leonor Will Never Die,” from director Martika Ramirez Escobar, is a movie pure in heart even when it falters.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
With the cast all giving fun performances and the visual effect creativity dialed up to eleven, you can’t help but cheer and clap.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.
Despite an uneven tone, Quantumania mostly works as an enticing superhero adventure.
The Last of Us just aired its fifth episode and if you aren’t already watching it, all I have to say is, what are you waiting for?
Little Dixie has little moments of thrill amid a sufficient yet standard crime story that Frank Grillo glides through with guns and chainsaws.
The Most Dangerous Game proves itself to be a classic film that goes beyond the staples of film infancy.
Brett Donowho’s The Old Way really makes an attempt to put the fire back into a slowly declining genre but it misses the mark.