Amanda Seyfried
In Manhattan in the summer of 1979, a young man is arrested for a shocking crime, and an unlikely investigator must solve the mystery behind it.
While not all elements come together as cohesively as others, Jennifer’s Body proves itself to be one wild, satirically horrific experience.
With strong performances and memorable chemistry, The Dropout has now concluded. How was the finale? Were things resolved? Read to find out!
Having finally found its legs, we are one episode away from the conclusion of The Dropout, a reckoning finally on the horizon.
This was the best episode of season 1 of The Dropout thus far!
The Dropout delivers its deepest sense of grief and morality in the face of scandal within “Flower of Life”, giving the chance to fulfill Ian’s story.
While this episode still drags its feet a bit, it is an intense thrill ride that sets a strong foundation of intrigue for future episodes.
While Amanda Seyfried delivers a strong performance, it is not enough to keep audiences hooked in the first three episodes of the new series, The Dropout.
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.
Follows screenwriter Herman J. Mankiewicz’s tumultuous development of Orson Welles’ iconic masterpiece Citizen Kane (1941).
A screenwriter travels to a remote house with his family so that he can write, but he soon regrets the decision.
Filled to the brim with a talented cast and with wonderful dance sequences, Mamma Mia! Here We Go Again is as lovely and vivacious as the original.
A trio of staggering performances by Hawke, Seyfried, and Cedric the Entertainer, a gripping story that mines our current sociopolitical landscape for philosophical fodder, and typically formidable writing make First Reformed a mandatory watch for everyone.
First Reformed had its U.S. premiere at SXSW, with Paul Schrader and Ethan Hawke in attendance. First Reformed brings Paul Schrader’s career to a full circle, with both strong Bressonian and Taxi Driver influences.
The Last Word is an easy, funny watch, with great performances from MacLaine and Seyfried, but on the whole, isn’t very substantial.
