based on book
Things are ramping up in the world of His Dark Materials. Threads are beginning to connect, and yet, they also seem to be more muddled than ever, keeping us happily anxious in our seats.
With its fifth episode, His Dark Materials became less of the title, and more of the characters we want to see succeed.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
It was on a dreary night in March, 1910, that the Thomas Edison–produced Frankenstein played…
Though not a fully-realized film, Motherless Brooklyn shows some promise, with an impressive neo-noir style and an admirable takeaway.
If you are looking for a new series to binge over and over again, John Green’s Looking for Alaska TV series might be for you!
Pietro Marcello’s soaring melodrama, Martin Eden, is a sinking portrait of an unravelling autodidact writer in Naples—tragic and beautiful all the same.
John Crowley’s adaptation of The Goldfinch lets down its source material and is, above it all, limp Oscar-bait.
The losers are as compelling as before, Chapter Two successfully binds this group to its former to give fans a nuanced end.
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
Scary Stories To Tell In The Dark is an above average horror with inventive and fun monsters, but not enough character development.
Told from a female perspective, and benefitting from a seminal performance by Daisy Ridley, Ophelia rewrites history in a more favorable light.
While bowing out to a mostly satisfying conclusion, Shadowhunters did enough to quench our desire for more.
Like Miyazaki, Kosaika focuses on growth as a result of loss and ties it with the spiritual and fantasy world in Okko’s Inn.
With lots to wrap up before the two hour finale, dedicated fans of Shadowhunters can only hope that everything is brought to the finish line.
