comedy
A remake of the Ealing classic, Whisky Galore! has its share of laughs, but its hard to tell just who or for what purpose the film serves.
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Rushmore is a film that employs screwball comedy conventions, helping to create an interesting combination of genres.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
Other than strong performances, Deny Everything is mostly unsuccessful, due to an uneven story-line, poor camerawork, and jokes that fall flat.
An open mind and a willing heart are needed to appreciate Slack Bay’s zaniness; it’s a lot of fun when the initial peculiarities settle.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
Tramps may be a rom-com story we’ve all seen before, but it’s done with charming and nuanced touches that make it a joy to watch.
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Win It All carries mumblecore’s characteristic diversions, seemingly innocuous quirks, and has a few unexpected narrative twists.