crime
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Kristy Strouse delivers her second report from Tribeca Film Festival 2023!
In her first report from Tribeca Film Festival 2023, Kristy Strouse reviews Laroy, Chasing Chasing Amy & The Graduates!
Against All Enemies is surprising in the emotions its garners from its audience, always resolute to is overall message, but unafraid to listen.
While the lack of resolution is disappointing for the audience it doesn’t make The Night of the 12th any less powerful.
Twilight is remarkable, and it’s a movie that is at once empathetic and compassionate and also cynical about the limits of justice.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Despite what its title might suggest, Are You Lonesome Tonight isn’t maudlin and it certainly isn’t one which seeks desperately to impress.
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
How to Blow Up a Pipeline addresses climate catastrophe from the perspective of a generation intimately and agonizingly familiar with its presence.
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
That Martin Roumagnac was the only film they ever made together makes it a must-see for any fan, and a wonderful remembrance of their real-life romance.
